Renaissance had been moderately successful during the 1970s, having a top ten UK singles chart hit in 1978 with "Northern Lights", but were better known as an album band, and for their live performances, particularly at Carnegie Hall. In 1979, the band had taken a less symphonic/orchestral and more electronically based turn with the album Azure d'Or, which resulted in disappointing sales and resultant dropping by their label, Warner Bros. Records. Meanwhile, the lineup of Renaissance was in flux, as John Tout and Terry Sullivan left for varying reasons.
The reduced version of Renaissance then took stock; according to the sleeve notes to their CD, "It was time to stand back, take a breather, experiment, and to embark on a new working relationship with their fellow countryman Peter Gosling". Gosling had been in the 1960s band "Moon Train" which had been managed and produced by Bill Wyman, played keyboards on the Renaissance album Camera Camera and later on Time-Line. The single "In the Bleak Midwinter", a version of the Christmas carol by Gustav Holst and Christina Rossetti
was released for the 1982 Christmas market, but did not enter the UK singles chart until 8 January 1983. It spent one week on the chart at number 71.
Their second single, "You Know I Like It" did not trouble the charts and the project went no further. Renaissance finally folded in 1987; Haslam and Dunford embarked on solo careers, and Gosling wrote music for television and film.
Nevada: A Novel is the debut novel from author Imogen Binnie, released by Topside Press in 2013. Nevada follows the adventures of transgender New York punk woman Maria Griffiths.
When Griffiths finds out her girlfriend cheated on her, she spirals out of control, stealing her girlfriend's car and buying heroin before heading west on a journey of self-discovery. In Nevada, she meets James Hanson, and immediately realizes that Hanson is also transgender, but doesn't realize it yet. The two travel to Reno together. Griffiths frequently lapses into long inner monologues throughout the book, reflecting on gender, heteronormativity, and social conditioning.
Binnie has said that in writing a story about a transgender protagonist, she wanted to resist the risk of explaining "The Trans Experience for cis people," which she says often happens with transgender memoirs. Because Nevada is a work of fiction, Binnie said she approached writing it as a transgender story written for trans women. "One of the questions I was trying to answer with Nevada was, what would a story about trans women that was intended for an audience of trans women — what would that look like?" Binnie told blogger Sarah McCarry in an interview about the book.
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